Georges Braque

Pioneer of Modernism

October 11 – November 29, 2011

Left to Right:

Georges Braque, Violin and Glass, 1913, Lent by Private Collection, Courtesy Gugenheim Asher Associates

Georges Braque, Gueridon, 1913, Lent by Staatliche Museen zu Berlin, Nationalgalerie, Museum Berggruen

Georges Braque, The Mantlepiece, 1911, Lent by Tate (Purchased with assistance from a special government grant and with assistance from the Art Fund 1978)

Georges Braque, Gueridon, 1911, Lent by Private Collection

Georges Braque, Still Life with Metronome, 1909-10, Lent by Private Collection

Georges Braque, Céret, Rooftops, 1911, Lent by Private Collection

Georges Braque, Head of a Woman, 1912-13, Lent by Private Collection

Georges Braque, Glass, Bottle and Newspaper, 1912, Lent by Fondation Beyeler, Riehen/Basel

Georges Braque, Bottle, Glass and Pipe, 1914, Lent by Private Collection

Georges Braque, Bottle and Musical Instruments, 1918, Lent by Private Collection

Left to Right:

Georges Braque, Violin and Glass, 1913-14, Lent by Private Collection

Georges Braque, Glass and Tobacco, 1913, Lent by Private Collection

Georges Braque, Violin and Glass, 1913, Lent by Private Collection, Courtesy Gugenheim Asher Associates

Georges Braque, Gueridon, 1913, Lent by Staatliche Museen zu Berlin, Nationalgalerie, Museum Berggruen

Left to Right:

Georges Braque, Head of a Woman, 1912-13, Lent by Private Collection

Georges Braque, Glass, Bottle and Newspaper, 1912, Lent by Fondation Beyeler, Riehen/Basel

Georges Braque, Bottle, Glass and Pipe, 1914, Lent by Private Collection

Georges Braque, Bottle and Musical Instruments, 1918, Lent by Private Collection

Left to Right:

Georges Braque, L'Estaque, 1906, Lent by Merzbacher Kunstiftung

Georges Braque, The Port of La Ciotat, 1907, Lent by National Gallery of Art, Washington (Collection of Mr. and Mrs. John Hay Whitney, 1998.74.6)

Georges Braque, The Great Trees, L'Estaque, 1906-07, Lent by Fractional gift to The Museum of Modern Art from a private collection

Georges Braque, Landscape at L'Estaque, 1906, Lent by Merzbacher Kunstiftung

Left to Right:

Georges Braque, Violin and Palette, 1909, Lent by Solomon R. Guggenheim Museum, New York (54.1412)

Georges Braque, Harbor, 1909, Lent by The Art Institute of Chicago (Samuel A. Marx Purchase Fund, 1970.98)

Georges Braque, Piano and Mandola, 1909-10, Lent by Lent by Solomon R. Guggenheim Museum, New York (54.1411)

Georges Braque, Glass and Pipe, 1913-14, Lent by Private Collection, New York

Georges Braque, Harbor, 1909, Lent by National Gallery of Art, Washington (Gift of Victoria Nebeker Coberly in memory of her son, John W. Mudd, 1992.3.1)

Left to Right:​

Georges Braque, The Billiard Table, 1945, Lent by Tate (Purchased with assistance from the gift of Gustav and Elly Kahnweiler, the Art Fund, Tate Members and the Dr V.J. Daniel Bequest 2003)

Georges Braque, The Billiard Table, 1944-52, Lent by The Metropolitan Museum of Art (Jacques and Natasha Gelman Collection, 1998, 1999.363.9)

Georges Braque, Studio IX, 1952-52/56, Lent by Musée national d'art moderne-Centre de création industrielle, Centre Pompidou, Paris (Dation, 1982, AM 1982-99)

Left to Right:​

Georges Braque, Woman at an Easel, 1936, Lent by The Metropolitan Museum of Art (Bequest of Florene M. Schoenborn, 1995)

Georges Braque, Studio V, 1949-50, Lent by The Museum of Modern Art, New York (Acquired through the Lillie P. Bliss Bequest, 2000)

 

Left to Right:​

Georges Braque, Still Life with Guitar I (Red Tablecloth), 1936, Lent by The Norton Museum of Art, West Palm Beach, Florida (Gift of R. H. Norton, 47.46)

Georges Braque, The Mauve Tablecoth, 1936, Lent by Private Collection

Georges Braque, Stool, Vase, Palette, 1939, Lent by Private Collection

Left to Right:

Georges Braque, Studio V, 1949-50, Lent by The Museum of Modern Art, New York (Acquired through the Lillie P. Bliss Bequest, 2000)

Georges Braque, Woman with a Mandolin, 1937, Lent by The Museum of Modern Art, New York (Mrs. SImon Guggenheim Fund, 1948)

Georges Braque, Still Life with Guitar I (Red Tablecloth), 1936, Lent by The Norton Museum of Art, West Palm Beach, Florida (Gift of R. H. Norton, 47.46)

Left to Right:

Georges Braque, Gueridon, 1935, Lent by San Francisco Museum of Modern Art (Purchase with the aid of funds from W.W. Crocker)

Georges Braque, The Pantry, 1920, Lent by Albertina, Vienna - Batliner Collection (Inv. GE18DL)

Georges Braque, The Washstand with Green Tiles (The Washstand), 1944, Lent by The Phillips Collection, Washington, D.C.

Left to Right:

Georges Braque, The Yellow Tablecloth, 1935, Lent by Private Collection

Georges Braque, Gueridon, 1935, Lent by San Francisco Museum of Modern Art (Purchase with the aid of funds from W. W. Crocker)

Georges Braque, The Pantry, 1920, Lent by Albertina, Vienna - Batliner Collection (Inv. GE18DL)

Left to Right:

Georges Braque, The Compotier, 1918, Lent by Bergen Art Museum, Norway

Georges Braque, The Yellow Tablecloth, 1935, Lent by Private Collection

Press Release

Acquavella Galleries is pleased to announce Georges Braque: Pioneer of Modernism, a retrospective of seminal paintings curated by Dieter Buchhart, from October 12th through November 30th, 2011. The exhibition will include over forty major paintings and papiers collés by the artist, all on loan from prestigious international public and private collections. The exhibition marks the first major Braque retrospective in the United States since the Guggenheim Museum’s celebrated exhibition in 1988.

Best known as the co-founder of Cubism with Pablo Picasso and as the inventor of the papier collé technique, Georges Braque’s legacy is better understood in the context of his lasting influence on artists for the past century. “The purpose of this retrospective is to present the artist not only as the cocreator of Fauvism and Cubism but also as a profoundly passionate, progressive and influential painter all the years of his life, well beyond his early triumphs,” explained William Acquavella.

As a young man, Braque was a leading member of the Fauves, together with Henri Matisse, André Dérain, and Maurice de Vlaminck, before being inspired by the structured compositions of Paul Cézanne. This adherence to structure would guide Braque for the remainder of his career, especially during his close six-year collaboration with Picasso.

Together, Braque and Picasso invented a new aesthetic by portraying their subjects from multiple vantage points. They created a new pictorial world in which an object was deconstructed and then reconstructed on the basis of geometric criteria. They used forms that resembled geometric cubes, leading art critic Louis Vauxcelles to assign the name “Cubism” to the new movement. Still lifes became Braque’s preferred vehicle for innovation, and he was celebrated for instilling the most everyday objects with a profound spirituality usually reserved for devotional painting. Braque described his fascination with the genre, “A lemon and an orange side by side cease to be a lemon and an orange and become
fruit. The mathematicians follow this law; so do we.” In addition to fruit, other familiar objects such as tobacco pouches and musical instruments became frequent sources of inspiration.

At seventy-nine, Braque became the first living artist to be accorded a solo exhibition at The Louvre and was awarded state honors at his funeral in 1963. His work is held in the permanent collections of the world’s foremost museums including The Museum of Modern Art, New York; The Metropolitan Museum of Art, New York; Tate Collection, London; The Albertina, Vienna; The National Gallery of Art, Washington DC; The Art Institute of Chicago; The Solomon R. Guggenheim Museum, New York; Musée d’Art Moderne de la Ville de Paris; Kunsthaus Zurich; The Phillips Collection, Washington DC; the Centre Georges Pompidou, Paris; and the San Francisco Museum of Modern Art; many of whom have loaned work for the exhibition.

Georges Braque: Pioneer of Modernism will be accompanied by a 200 page hardcover catalogue which will include essays by Dieter Buchhart, Isabelle Monod-Fontaine and Richard Shiff.

For more information please contact Prentice Art Communications, Inc.
(212) 228-4048 or Bettina@PrenticeArt.com

Georges Braque
Georges Braque
Georges Braque Pioneer of Modernism
Georges Braque Pioneer of Modernism
(OUT OF PRINT) October 12 - November 30, 2011
Time Out New York
Best (and worst) of 2011 December 15-28, 2011

Bloomberg
Radical Braque Painting Boosts Acquavella Galleries Attendance to 16,000 November 22, 2011

artcritical
Development Issues: Georges Braque at Acquavella Galleries November 10, 2011

The New York Sun
A Lemon and an Orange Side by Side November 7, 2011

The New Criterion
Gallery chronicle November 2011

Wall Street Journal
A Modern Movement Unto Himself October 29 - 30, 2011

Time Out New York
Braque rocks uptown October 27 - Novemer 2, 2011

CityArts
Pioneers in Shadows October 26, 2011

The New York Times
Stealing the Show October 21, 2011

The New York Times
The Other Father of Cubism October 14, 2011

The New York Observer
By Georges! Gallery Offers a View of Braque's Evolution October 12, 2011

Vanity Fair
Georges Braque: From Fauvism to Cubism October 12, 2011

Wall Street Journal
Fall Preview: Art September 9, 2011

The New York Observer
Step Aside, Picasso: Acquavella Plans a Braque Retrospective July 20, 2011

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